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剑桥雅思10Test2阅读Passage3答案解析 Museums of fine arts and thei […]

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剑桥雅思10Test2阅读Passage3答案解析 Museums of fine arts and their public 博物馆中艺术品的展示方式

剑桥雅思10阅读第二套题目第三篇文章的14道题由5道选词填空,4道单项选择和5道YES/NO/NOT GIVEN判断组成。题型本身就不简单,再加上文章偏长,更是进一步加大了难度。下面是具体每一题的答案解析。

点击查看这篇雅思阅读中需要大家掌握的重点词汇与对应的原文翻译

雅思真题阅读词汇 剑桥雅思10 test 2 passage 3 博物馆中艺术品的展示方式

剑桥雅思10Test2阅读Passage3原文翻译 Museums of fine arts and their public 博物馆中艺术品的展示方式

剑桥雅思10 Test2 Passage3阅读答案解析

第27题答案:B

对应原文:第2段:This might be explained by the fact that the novel has evolved precisely because of technological developments that made it possible to print out huge numbers of texts

答案解析:根据manuscripts of novels定位到这一句,题目上问的是小说的出现依赖于什么,由此锁定technological developments和huge numbers of texts,下面选项中只有B能够与其对应,由此锁定答案。I选项虽然有technology,但错在basic这一限定。

第28题答案:H

对应原文:第2段:With novels, the reader attends mainly to the meaning of words rather than the way they are printed on the page

答案解析:顺着上一题往下,原文中再次提到novel就是这个句子。题干中问的是,对于小说而言,什么最重要,由此锁定meaning of words。选项中只有H可以与此对应。

第29题答案:L

对应原文:第3段:The seven surviving versions of Mona Lisa bear witness to the fact that in the 16th century, artists seemed perfectly content to assign the reproduction of their creations to their workshop apprentices as regular “bread and butter” work.

答案解析:题目上进行了分段,因此我们文章来自老烤鸭雅思将注意力放在第三段中。根据historical times和16th century的对应定位到这句话。题干中问的是指示谁来复制,由此锁定workshop apprentices,确定答案为L。

第30题答案:G

对应原文:第3段:reprographic techniques that allow the production of high-quality prints made exactly to the original scale, with faithful colour values, and even with duplication of the surface relief of the painting.

答案解析:根据surface定位到这句话,原文中提到了复制品的三种特征,分别为scale,colour和surface relief,而后两者在题干上均已出现,由此锁定scale,根据同义替换确定答案为G。

第31题答案:D

对应原文:第4段:museums continue to promote the special status of original work.

第5段:Unfortunately, this seems to place severe limitations on the kind of experience offered to visitors.

答案解析:根据promote和superiority定位到第4段,从题干可以推测出空上应该填的应该是某类人的利益,由此锁定visitors,根据同义替换,确定

第32题答案:C

对应原文:第6段:In a society that judges the personal status of the individual so much by their material worth, it is therefore difficult not to be impressed by one’s own relative ‘worthlessness’ in such an environment.

答案解析:这种作者提到某一例子想要表达什么的题目的答案一般位于段首或者段尾,由此锁定这句话。原文中说,面对高价的艺术品,参观站可能感觉自己一文不值。即博物馆对访客自身认知的负面影响,由此确定答案为C。

第33题答案:D

对应原文:第7段:Evidently, nothing the viewer thinks about the work is going to alter that value, and so today’s viewer is deterred from trying to extend that spontaneous, immediate, self-reliant kind of reading which would originally have met the work.

答案解析:根据critise定位到第7段。原文中提到,参观者不愿意评论艺术作品的原因是他们认为自己的想法并不会改变艺术品的价值。即个人反馈无关紧要,因此确定D为答案。

第34题答案:A

对应原文:第8段:The visitor may then be struck by the strangeness of seeing such diverse paintings, drawings and sculptures brought together in an environment for which they were not originally created. This ‘displacement effect’ is further heightened by the sheer volume of exhibits.

答案解析:根据原文描述,displacement effect的原因有两个。一是如此之多的艺术品被放在并非本来创作的环境中。二是展品的巨大数量。A选项基本与此相符,而选项B,C,D的描述都差的太远,由此锁定答案。

第35题答案:D

对应原文:第9段:A fundamental difference between paintings and other art forms is that there is no prescribed time over which a painting is viewed … whereas a picture has no clear place at which to start viewings or at which to finish.

答案解析:根据原文中的描述,画作与其他艺术形式的区别主要在于没有时间限制,没有明确的开始与结束的地方。选项中只有D与此对应,由此确定答案。

第36题答案:NOT GIVEN

对应原文:无

答案解析:原文中完全没有题季a range of media的说法,这道题属于无中生有,由此判断为NOT GIVEN。

第37题答案:NO

对应原文:第10段:the dominant critical approach becomes that of the art historian … This is in perfect harmony with the museum’s function

答案解析:原文中提到艺术史学家的方法与博物馆的功能完美契合。题干中的描述与此相反,由此确定答案为NO。

第38题答案:YES

对应原文:第11段:The museum public, like any other audience, experience art more rewardingly when given the confidence to express their views.

答案解析:原文中提到,如果博物馆公众能够表达自己的意见,体验会更好。即应该鼓励他们发表自己的观点。由此判断答案为YES。

第39题答案:NOT GIVEN

对应原文:第11段:If appropriate works of fine art could be rendered permanently accessible to the public by means of high-fidelity reproductions

答案解析:原文中虽然确实提到了向公众出售高品质的复制品。但是否只能(only)出售高品质,不能出售低品质的则完全没有提及。由此判断答案为NOT GIVEN.

第40题答案:NO

对应原文:第11段:Unfortunately, that may be too much to ask from those who seek to maintain and control the art establishment.

答案解析:原文中提到,对于想要维持和控制艺术展览的人来说,这一要求可能太过分了。可见他们并不愿意这么做。题干中的are likely to与词描述相反,由此判断答案为NO。

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